『몬스터 바이러스 도시』로 문학동네어린이문학상을받으며 작품 활동을 시작했다 . 『지도에 없는 마을』로 창비 ‘ 좋은어린이책 ’ 공모 대상을 받았다 . 지은 책으로 『너의 세계』『밤을 건너는 소년』 『미식 예찬』 『용의 미래』 『별과 고양이와 우리』 『달의 방』 『세대주 오영선』 『그 애 집은 어디일까』 『그림자 나비』등이 있다 .

Sohn Won-pyung (1979 – ) is a South Korean novelist. She had a sparkling literary debut, winning two consecutive literary awards: in 2016 for Almond (아몬드) and in 2017 for Counterattack of the Thirty (서른의 반격). She has since been actively engaged in both novel writing and film work. Sohn’s novels explore the meaning of human existence and growth, and are characterized by the use of unique characters and rapid plot development.

Kwon Jeong-saeng (1937 – 2007) was a South Korean children's writer.

Yun Yeo-rim (1970-) is a South Korean children’s writer whose publications include Urineun eonjena dasi manna (우리는 언제나 다시 만나 We Always Meet Again) and Maldeuri saneun nara (말들이 사는 나라 A Country Where Horses Live). Yun also translated the George and Martha books into Korean. •Children’s book Urineun eonjena dasi manna (우리는 언제나 다시 만나 We Always Meet Again) (2017) •Children’s book Maldeuri saneun nara (말들이 사는 나라 A Country Where Horses Live) (2019)

Most people who have read Choi Eun-yeong’s works will agree that her stories are ‘unembellished’. It means that she tells the story in an honest manner without any special literary techniques. However, just because there aren’t any literary techniques on the surface, it’s not that Choi Eun-yeong is not a writer who has honed her writing skills. The reason why Choi Eun-yeong’s works do not show much literary finesse is that it’s not that she’s an unskilled writer, but that she is able to conceal her skills. Another characteristic of Choi Eun-yeong’s writing is her interest in political and social issues.