Chung Il Keun (1958~) is a South Korean poet. He made his literary debut in 1984 by publishing his poems in the magazine Literature and Practice. In 1985, he won the Hankook Ilbo New Writer’s Contest. His poetry deals with the pain and loss of marginalized people. Chung won the 2003 Sowol Poetry Award (2003) and the 2006 Youngrang Poetry Award. •Poetry collection Badaga boineun gyosil (바다가 보이는 교실 The Classroom Overlooking the Sea) (1997) •Poetry collection Madangeuro chulgeunhaneun siin (마당으로 출근하는 시인 The Poet Who Goes to Work in the Yard) (2003)

Park Mok-wol (6 January 1916 – 24 March 1978) was an influential Korean poet and academic.

Lee Kyonglim (1947-) is a South Korean poet who debuted through Literature & Criticism in 1989 with the poem “Guryogui ttangeseo” (굴욕의 땅에서 In the Land of Humiliation) and nine others. Lee was awarded the Jirisan Literary Prize (지리산문학상), the Yun Dongju Preface Poem Literary Prize (윤동주서시문학상), and the Aeji Literary Prize (애지문학상). •Poetry collection Sijeol hana onda jabameokja (시절 하나 온다 잡아먹자 Here Comes an Age, Let’s Kill and Eat it) (1997) •Poetry collection Nae momsoge pureun horangiga itda (내 몸속에 푸른 호랑이가 있다 There is a Blue Tiger Inside My Body) (2011)

Yi Sang-hwa (1901–1943) was a Korean nationalist poet active in the resistance to Japanese rule. Yi Sang-hwa's poetic verse may well be an example of one of the most distinct departures in style in all of Korean literature. As a member of the Baekjo literary circle, made up of a school of romanticists, Yi's early poems involved heavy elements of prose and depicted a world of decadent sensibilities and narcissism. In his early poem Naui chimsillo, for example, the poet contemplates committing suicide in order to attain true love, and in another, a life of reverie, completely cut off from reality, is presented as the most desirable goal possible.

Song Ki-Won (1947) is a modern South Korean novelist and poet. Life   Song Ki-Won was born in Boseong, South Jeolla Province. His father was a drunk and a gambler, and he was raised by his mother, a peddler, and his stepfather. The determination to overcome his shameful beginnings pushed Song to become a writer. He studied creative writing at Sorabol College of Arts. He made his debut winning multiple literary contests, including in 1974 when he caused a stir by winning the poetry category of the Dong-a Ilbo New Writer's Contest with his poem Hoebokgiui norae (회복기의 노래 Song of Recovery) as well as the fiction category of the JoongAng Ilbo contest with his story Gyeongoe seongseo (경외성서 Apocrypha).     Much of Song's work has been informed by personal tragedy, incuding the suicide of both his biological parents and the loss of his adult daughter to leukemia, as well as his rough-and-tumble upbringing and his struggle against Korea's military dictatorship, for which he was imprisoned four times. His published works include the short story collections Dasi wolmullieseo (다시 월문리에서 Again at Wolmulli), Saramui hyanggi (사람의 향기 The Scent of People), the novel Sum (숨 Breath), and the poetry collections Maeumsok bulgeun kkochip (마음속 붉은 꽃잎 Red Petals of My Heart) and Jeonyeok (저녁 Evening). He is the recipient of the Dong-in Literary Award, the Daesan Literary Award, and the Dong-ni Literary Award, among others. Writing The Wolmulli series of stories written at the beginning of Song Ki-Won's career affirms the vast distance between peasants and intellectuals and follows the process of discovering the wisdom hidden in the lives of the former. From the perspective of a first-person observer, the author portrays the social conditions of peasants and underscores labor as the mediating activity between man and nature. In doing so he confirms the power of land and explores the possibilities for a connection between intellectuals and peasants.  Wolmullieseo 4 (월문리에서 4 At Wolmulli 4) contains a scene at its end in which an old man from North Korea, Cho Mandol, who displays no interest in politics even when the entire nation is clamoring about reuniting separated families, unexpectedly decides to go in search of his younger brother. This last scene is particularly impressive, in that it successfully captures the lives of the peasants and their hard-bred wisdom, both of which sustain themselves without break during the most turbulent of times. Song writes that their lives are the hardest sort of earth, and an enormous and mysterious force in that earth which pushes upward to rise through the cracks it will make and the holes it will bore without regard for rock or the sharp edges of hoes or blades of shovels.  In Dasi wolmullieseo, the conclusion of the Wolmulli series, the scene in which the protagonist, in prison, hears of his mother's death is repeatedly juxtaposed with the scene of his visit to her grave until the two are brought to an end with the protagonist's conviction that he 'will not live as easily as mother'. The protagonist's appreciation and understanding of his mother, and his own self-revelations at the end of the poem-cycle combine to produce a highly affecting and memorable piece.  Song's first novel, Neoege gama naege ora (너에게 가마 나에게 오라 Come to Me, I Will Gladly Go to You) is set in a marketplace and portrays the great pains of the common people in their search for love and hope. Although their lives are tainted by despair, insanity, and violence, the author convincingly portrays their corrupt behavior as arising not from a corrupt nature, but from their desolation. Song's lyrical style here is particularly effective in portraying their grotesque lives as possessing a shimmering, haunting beauty.