Introduction Kim Haengsook (Hangul 김행숙; born 1970) is a South Korean poet.
1. Life
Kim Haengsook was born in Seoul, South Korea in 1970. She studied Korean language education at Korea University, where she also earned her master’s and doctoral degree in Korean literature. She made her literary debut in 1999 when the journal Hyundae Munhak published “Ppul” (뿔 Horn) and a few other poems. She is primarily associated with the Korean Futurism school of poetry, which emerged in the 2000s when young poets began writing experimental works that broke with the lyrical tradition of South Korea. Kim published her first poetry collection Sachungi (사춘기 Adolescence) in 2003, which earned critical and popular acclaim for its unconventional style and put her alongside other Korean Futurist poets like Hwang Byungsng, Kim Kyung Ju, Kim Min-jeong, and Ha Jaeyoun. She won the 9th Nojak Literature Prize in 2009, the inaugural Jeon Bonggeon Literary Award in 2015, and the 16th Midang Literary Award in 2016. She was an editor for the quarterly journal World Literature, and currently teaches Korean literature at Kangnam University.
2. Writing
Writing Kim Haengsook’s work has been referred to as “a symptom of contemporary poetry” that “achieved a new kind of lyricism” by writer and literary critic Lee Jangwook. Starting with her first poetry collection Sachungi (사춘기 Adolescence), the strangeness and ambiguity of her poems challenged readers to find new ways of interpreting them other than simply looking for meaning or images. In a commentary on her second poetry collection Ibyeoreui neungryeok (이별의 능력 The Ability to Part) (2007), literary critic Shin Hyeong-cheol argues that Kim “does not write with intuition but with the mind of a programmer” who has “the ability to enter into a particular world of feeling and to invite readers into that world.” Kim’s language is open to various interpretations. It has been described as “sliding or floating across the signifier and the signified.” Literary critic Shin Hyeong-cheol notes that Kim “breaks down the world into pieces of feeling and allows the self to become a vessel for each feeling. Her poetry is freely fantastical and unegotistically objective.” Kim’s third poetry collection Tainui uimi (타인의 의미 The Significance of Others) (2010) shows a slight change in style. The world of feeling she portrays in previous poems remains the same, but she focuses on the sensations born from the relationship between the self and the Other. The self strives to reach the Other, fails, and accepts a fate of solitude.
Reference
[미당·황순원문학상 수상자] 인간은 굉장히 잘 깨지는 존재…아픔 함께 슬퍼할 수 있다면 “Winner of Midang & Hwang Sun-won Literary Awards: Humans Are Fragile...If We Can Share Each Other’s Pain.” http://news.joins.com/article/20619281 [정철훈의 현대시 산책 감각의 연금술] 마주침의 발명… 시인 김행숙 “Jeong Cheol-hun’s Contemporary Poetry Walk, the Alchemy of Sensations: The Invention of Encounters...Poet Kim Haengsook.” http://news.kmib.co.kr/article/view.asp?arcid=0005958278 다정함의 세계 “The World of Kindness.” http://navercast.naver.com/contents.nhn?rid=33&contents_id=876
